Apparently...

enochliew:

Digital Beijing by Studio Pei Zhu

The deep shadow line around the top of the columns work incredibly well.

(via spacesnplaces)

plagiarismisnecessary:

David Kohn Architects + Fiona Banner

A Room For London (2011) 

reworked…

ymado:

Castor and Pollux
Antoine Coysevox, 1712
Jardins du Château de Versailles

(Source: antonio-m, via rosmhuire)

andarchitecture:

Austria, Bregenz, lake stage festival theatre, André Chénier, opera by Umberto Giordano.

“Lake Constance as bath tub, director Keith Warner & set designer David Fielding have chosen “The Death of Marat”, an iconic painting by the revolutionary artist Jacques-Louis David, as the symbol & inspiration for their staging of “André Chénier”. It is the first time that a historical painting has served as the basis for a Bregenz stage set, which towers 24 metres high above Lake Constance. 

Set against the background of the French Revolution, the opera “André Chénier”, which premiered at “La Scala Milan” in 1896, is a historical drama of sharp perceptivity & a human tragedy of devastating intensity; appealing both as a passionate love story & as a historical thriller.”

(via catrinastewart)

thingsorganizedneatly:

Self-portrait by Erwin Wurm

ed: Organized carefully.

EliinBar, Sketch Comparing Le Corbusier, Archigram, Will Alsop, and Wolfgang Tschapeller Projects, 2011.

The blog “Someone Has Built This Before” and the page contains a series of sketches by EliinBar showcasing the formal similarities between several projects, with the overarching philosophy that few things if any are without formal precedent. Some comparisons are stretches, but others are quite striking.

(via stripesandplanes)

architizer:

Le Corbusier’s High Court building in the Capitol Complex, Chandigarh 1955, reblogged via subtilitas

archiveofaffinities:

Le Corbusier on Long Island Beach, 1950 

love him.

(via tomoso)

lessadjectivesmoreverbs:

subtilitas:

Diener & Diener - New east wing of the Museum of Natural History, Berlin 2010. After being nearly destroyed by bombing during WWII, the architects took a unique approach to its reconstruction and preservation. Using silicon molds taken from the surviving exterior shell, a replication of the existing facade was cast in concrete, down to the detailed level of each individual brick. Due to the light-sensitive nature of the exhibits within, some existing windows were bricked up, and the new concrete cast windows were given the original mullion details. The result is an interesting patchwork highlighting the building’s history; a dialog between it’s original form, destruction, and reconstruction. Image via.

This is really great.

architizer:

letterheady:

Frank Lloyd Wright, 1946 | Source

A sheet of architect Frank Lloyd Wright’s personal stationery; a much larger version of which is here. His studio letterhead has been featured on Letterheady previously. 

MY WORD. 

stopthesnow:

Alpine Architecture: Crystal House - Bruno Taut 1919